Description
the Moud carpets, which are among the most beautiful in the world, are in the city Mashad hand knotted in the province of Khorasan. This large weaving center is also a trading center for the carpets made in the neighboring towns and villages. You will find that the Moud rugs have some features similar to a rug made in Birjand. Although most rugs are woven in workshops around the city, one can occasionally find Moud rugs woven on a home loom. Skilled artisans use the asymmetrical Persian knot in the creation of these very special rugs as it offers more precision when knotting the intricate, detailed patterns.
Moud rugs have been known in the antique trade since the turn of the twentieth century. The patterns are floral, either as a medallion or as an all-over. The Shah Abbas palmette with leaf and tendril motifs is a popular Moud pattern. Occasionally, the traditional boteh (paisley), herati (fish), trellis, or minakhani (trellis connected with rosettes) patterns are woven for the field. The border features traditional Khorasan designs with large palmettes, leaves and tendrils.
The usual color feature of Moud rugs is pomegranate red (from cochineal) in the field, although a small percentage is dark blue instead. Additionally, there are various shades of red, blue, beige, gold, green, cinnamon, brown, and gray in the borders, pattern elements, and outlines.
The sizes of Moud Khorasan range from about one meter by one meter to large rooms. They have a cotton foundation and a wool pile. The Persian (asymmetric) knot is always used. Early knots are of secondary quality compared to the Meshad Khorasan carpets. Moud carpets were produced in large quantities for the middle class in the domestic and Western markets. After World War II, some Moud weavers departed from their traditional patterns and produced carpets similar to those of other weaving regions in Persia to meet the demand of domestic and foreign export customers.
Moud is a town south of Birdjan and Mashad with a long history of weaving. With their very distinctive design, they are easy to recognize and enjoy an excellent reputation. Moud is 300 km south of Mashhad. Your quality is high. Silk is often used to bring out the sheen of the pile. But that is not a must. 220.000 to 450.000 knots per square meter is a high number. So production takes time. You can find these rugs in red, blue, and beige shapes. These rugs are made with two weft threads.
The Herati pattern of the Moud rugs is dominant and immediately recognizable. In most cases, it occupies most of the surface. Some rugs also have a central medallion reminiscent of a star or hexagon. Many Persian carpets from Moud show motifs from Persian gardens in small rectangular borders. Such motifs are otherwise only used in Bakhtiari carpets. The bold colors come mostly from the blue and red color ranges. The colors come out even better with a contrasting ivory background. Since Moud carpets vary greatly in quality, the right choice of carpet is all the more important. Basically, a first decision about the knot density makes sense. In addition, attention must be paid to the material of the knotting: Fine carpets have a share of silk, which has been worked into the individual details and literally lets them shine in the light.
Anyone who buys a moud from our online shop will not regret it. The quality standards are always met. Silk woven into the carpets increases the shine of the moud carpets. Different variants can be found in our shop for Persian carpets. The Herati pattern is characteristic of this type of Persian carpet. Other carpets from this region of Persia include the Birdshand and the cashmar.
GUIDE TO THE CREATION AND DESCRIPTION OF THE MOOD CARPET (MOUD)
Moud is a village southeast of Birjand in eastern Persia. The Moud carpets are highly regarded and are among the most beautiful and detailed carpets produced in Persia. They are characterized by the fact that a teppich Using a cluttered pattern can make a room appear larger by giving it more depth.
Moud rugs are made from cotton with fine, soft wool hair and have quite specific patterns. Traditionally they use a sunflower medallion in the center and complex curvilinear or floral designs in the field. Moud rugs are usually medium to large in size. The colors used vary between rich blues, dark reds and browns, mostly with a contrasting ivory background. Moud rugs are among the most beautiful on the market, their quality is always high and, as a general rule, the more knots, the better.
The Moud carpets, said to be among the finest in the world, are made in the city Mashad Handwoven in the province of Khorasan. This large weaving center is also a trading center for carpets made in the surrounding towns and villages. You may notice that the Mud rugs share some similar characteristics to a rug made in Birjand. Although most are woven in workshops around the city, one can occasionally find Moud rugs woven on a domestic loom. Skilled craftsmen use the asymmetrical Persian knot in the creation of this very special rug as it offers more precision in weaving the highly detailed patterns.
Moud is a city in the South Khorasan Province in eastern Persia. The carpets from Moud are similar to the carpets woven in other cities of Khorasan such as Azghand, Birjand and Gonabad. They are traded in the western market as Khorasan carpets.
Moud carpets have been known in the antique trade since the early twentieth century. The patterns are floral and in medallion or all-over style. A popular moud pattern is Shah Abbas' palmette with leaf and tendril motifs. Sometimes the traditional boteh (cashmere), herati (fish), lattice, or minakhani (lattice connected with rosettes) styles are woven for the field. The border shows traditional patterns from Khorasan with large palmettes, leaves and vines.
The usual characteristic color of Moud rugs is the pomegranate red (from the cochineal scale insect) in the field, although a small percentage is replaced by dark blue. In addition, various shades of red, blue, beige, gold, green, cinnamon, brown, and gray appear in the borders, design elements, and outlines.
History
Moud is a city in the South Khorasan Province in eastern Persia. The carpets from Moud are similar to the carpets woven in other cities of Khorasan such as Azghand, Birjand and Gonabad. They are traded in the western market as Khorasan carpets.
Moud carpets have been known in the antique trade since the early twentieth century. The patterns are floral and in medallion or all-over style. A popular moud pattern is Shah Abbas' palmette with leaf and tendril motifs. Sometimes the traditional boteh (cashmere), herati (fish), lattice, or minakhani (lattice connected with rosettes) styles are woven for the field. The border shows traditional patterns from Khorasan with large palmettes, leaves and vines.
The usual characteristic color of Moud rugs is the pomegranate red (from the cochineal scale insect) in the field, although a small percentage is replaced by dark blue. In addition, various shades of red, blue, beige, gold, green, cinnamon, brown, and gray appear in the borders, pattern elements, and outlines.
The dimensions of the Moud Khorasan range from around 1,5 m x 1,5 m to large pieces. They have a cotton base and a wool pile. The Persian knot (asymmetrical) is still used. The early weaves are of second-rate quality compared to the Meshad Khorasan carpets. Moud carpets were produced in large quantities for middle-class consumers in the domestic and Western markets. After World War II, some moud weavers abandoned the traditional patterns and produced carpets similar to those from other weaving regions of Persia to meet the demand of domestic and foreign consumers.
Frequently asked questions
How much is a hand-knotted carpet worth?
- the origin – Persia (today Persia) has by far the most famous and high-quality carpets from the Orient. Persia has over 80 provinces with their own original carpet patterns. The most important regions include Abadeh, squirrel, Afshar, Bakhtiar, Bijar, Gabbeh, Ghashghai, Qom, Hamadan, Heriz, Isfahan, Kerman, Kashan, Koliai, Mashhad, Moud, Nahavand, Grandmother (North Wales), Senneh, Shiraz, Tabriz etc. Other countries are Pakistan, Afghanistan, Turkmenistan, India , China and also the Caucasus. With Turkey, Morocco or Egypt, for example, there are other important countries of origin with their own characteristics.
- the kind & delicacy
- the material
- the colors and the design
- the age and condition
- Originality, style, aesthetics and creativity of the pattern
- and rarity, supply and demand in the market.
How do you recognize a hand-knotted carpet?
A handmade (or hand-knotted) carpet is made on a specially designed loom and by hand tied. In contrast, a machine-woven carpet is made on a fully automatic weaving machine controlled by a computer.
The carpet can therefore be produced much faster than a hand-knotted carpet, which can take up to a year to produce.
Also, synthetic materials are more commonly used in machine-made carpets, while wool is predominantly used in hand-made carpets.
Below are some basic tips on how to distinguish genuine handmade rugs from machine-made rugs.
1. Fringes - On a handmade and hand-knotted rug, the fringes are an extension of the rug (warp) and are not sewn in or post-applied to the rug as is common with machine-made rugs.
2. Selvage - This is the outside long side of the rug. This is created by twisting the weft threads at the edge, which are then incorporated and fixed. The origin of a carpet can often be identified by the appearance of the edge, since the processing of the edges is also quite individual in the different weaving regions. A machine-made carpet usually has a very fine and precise edge. With a hand-knotted rug, the edges are sewn by hand and are therefore often a bit uneven and not quite straight.
3. Pattern and Design - The pattern of a machine made rug is usually very precise and the design is usually mirrored from one side to the other. There are few inconsistencies in the design of a machine-made rug as opposed to a hand-made rug.
The weaver often has no design template at all, but rather improvises and knots "from the head" - the result is a charming asymmetry.
4. Backing - One of the telltale ways to tell the difference between a machine-made rug and a hand-knotted rug is to look at the rug's backing.
The knots and weave pattern on the back of a machine carpet are almost always perfect and consistent - sometimes very prominent white threads can be seen (this is the warp thread). The majority of handmade rugs do not have their knots lined up perfectly on the backing and even if you try to calculate the knot density you will find that it is not consistent across the rug.
5. Size and Shape - The shape of a machine-made rug is usually precise and exact, while that of a handmade rug often varies simply due to the fact that everything is made by hand.
Finally, fakes abound and even for the trained eye, it can be difficult to tell the two types of carpet apart. When in doubt, or when considering purchasing a rug, always consult a reputable rug shop or retailer.
Which carpets are the most valuable?
The most expensive carpet in the world: The "Clark Sickle Leaf Carpet"
The most expensive carpet in the world is an antique Persian carpet from the 17th century. It is a Clark sickle leaf rug, which has the format of 2,67 by 1,96 meters and probably comes from the Kerman region in southeast Persia. This particular red carpet with a blue border and a gold pattern was part of the collection of the American industrialist William Clark. After his death, it was initially given to the Corcoran Gallery of Art in Washington before finally being given to him auctioned at Sotheby's in New York in 2013 for nearly $34 million wurde.
The most expensive and probably best-known in Germany: the “Kerman Vase Carpet”
The most valuable German carpet is also a Persian carpet. The slightly wavy "vase technique" carpet, which bears a pattern of colorful flowers, leaves and branches, was made in the 17th century in the province of Kerman. The carpet was in the possession of the French art lover Comtesse Martine Marie-Pol de Béhague for many years, until it ended up in the possession of an elderly lady in Augsburg. The Kerman vase carpet achieved a high level of media awareness because its Augsburg auctioneer set a low value and the carpet later 7,2 million euros at an auction at Christie's in London redeemed what ended in a lawsuit.
How Persian carpets get their value
Persian carpets come from what is now Persia, have a long tradition and are manufactured using a complex process. They have a higher knot density than other carpets and are delicately knotted by hand. Many Persian carpets have beautiful, complex patterns and tell their own story. Persian carpet art requires time, calm and experience. Valuable Persian carpets are made from natural materials such as cotton, wool or silk. Traditional manual knotting, passed down from generation to generation, requires a number of tools that have remained virtually unchanged for centuries. First, carpet weavers use a knife to cut the yarn. The pile is then compacted using a comb-like instrument. Finally, scissors are needed to trim the pile to a uniform length.
Carpet quality = high knot density
The knot density per square meter is an indicator of the complexity of a handmade rug and an indication of the quality and goodness of a Persian rug. Carpets are divided into different classes for knot density: 4La, 6La and 9La. The rule is that the denser the carpet is knotted, the lower the La value and the finer the knot and the higher the quality of the carpet. A 4La carpet has a knot density of over 1.200.000 knots per square meter. This density of knots is very rare and is a sign of a very fine carpet. Collectors and connoisseurs are mostly interested in high-quality carpets with a knot density of more than 500.000 knots.
World Heritage carpet
Persian carpets are surrounded by something very special and it becomes clear that they are unique in their design and manufacture. Almost like in a fairy tale from 1001 Nights, they have been convincing people of all cultures for many centuries. They carry the knowledge of many generations and are real collector's items. A piece of cultural history that enriches many houses and apartments with its splendor and aura.
How do you recognize an expensive carpet?
It must first be determined whether the carpet is hand-knotted or machine-knotted. There are three ways to be sure of what type of carpet it is:
A machine-knotted rug has fringes sewn on.
Turn the rug over so you have a good view of the knots at the fringed edge at the back. Pull a single fringe. Observe the knots that are in line with this fringe and connected into the carpet. Do these move when you pull the fringe? If so, that means the fringes are not sewn on and the warp thread through the rug forms the fringes.
A machine-knotted rug is flawless.
Turn the rug over and get comfortable on the back. Look for a pattern that recurs in two different places on the carpet. Compare a row of knots and look for differences. If the knots are of different sizes or if there are even errors in a color sequence, it is clear that it is a case of manual work, which always remains error-prone due to the enormous number of knots.
A machine-knotted rug has no size deviations.
Take a tape measure and measure the width in different places. A hand-knotted carpet shows clear differences in the millimeter range.
Where is the carpet from?
Since the traditionally knotting countries always guarantee a standard that promises the advantages of a real carpet, it is particularly important to pay attention to the country of origin. This must always be specified for a carpet offered for sale, as you can only directly compare carpets from the same region of origin.
However, it must be said that most re-knots are also dedicated manual work, just as elaborate patterns and often interesting pattern variations. Only the advantages of a real carpet are not always given due to the often inferior material quality and simpler knotting technique.
Real carpets come from:
Persia/Persia, Afghanistan, Türkiye, Russia
Reconnections come in particular from:
Pakistan, India (often disguised as "Indo-" before the name), China and North African countries.
"Errors and errors excepted"
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Hassan Zanjirani Farahani (B.A. M.A. M.A.) is an Iranian-Austrian composer, multi-instrumentalist, art collector and media artist. He has been managing director of the company since 2017 Luxonaria GmbH in Vienna specializing in art restoration & trading. He studied piano, trumpet and clarinet at the Tehran Conservatory, worked as a pianist, clarinetist and trumpeter in various orchestras before moving to Vienna. He studied composition and music and media technology at the University of Music and Performing Arts Vienna and Anton Bruckner University Linz and has taken numerous academic courses in sound recording, PA, computer music, media arts, acoustics and physics, lighting design, animation and graphics. Among his most important teachers are Andrew Weixler and Carol Bauckholt. He completed all studies in composition and music and media technology with distinction. His academic activities include music production, Media art, stage performance and music pedagogy as a guest lecturer at several music universities, including the Bruckner University and the University of Music and Performing Arts Vienna, as well as at festivals such as the Ars Electronica Festival. As a performer and improviser, Hassan Zanjirani Farahani focuses on electroacoustic music, synthesizer and piano music. He performed at numerous international festivals among others ORF Music Protocol Graz (Austria), Mantova Chamber Music Festival (Italy), Ars Electronica Festival (Linz), Wien Modern (Vienna) on. He is also an improviser, performing at many festivals and venues such as Vienna Konzerthaus (Vienna), Vienna State Opera, Vienna Volksoper, Raimund Theater (Vienna), Ars Electronica Center, Helmut List Halle (Graz), Porgy & Bess (Vienna), Bruckner House (Linz) etc. played. His compositions are stylistically diverse. Most are pieces for piano, ensemble and live electronics. He has also written pieces for film, theatre, dance performance and music theatre. He deals with stage lighting, architectural lighting, projection, graphics, animation and visualization. In addition, he has already developed architectural installations worldwide, especially in Austria, Germany, the Emirates, Turkey, Iran etc. His professional field also includes educational activities such as university lectures and courses in composition, electronic music, digital audio workstation (DAW), sound synthesis, Light design, visualization and media art, etc. In addition to his musical activities, he works as a sound engineer, sound and light designer, music producer, graphic designer and VFX artist.
Sold(#H1300) NEW approx. 145x83cm hand-knotted Moud Persian carpet
€1099Original price was: €1099€879Current price is: €879.Type: Persian carpet with signature
Provenance: Moud
Pile: 98% Wool 2% Silk
Warp: 100% cotton
Size: 145x83cm
Number of knots: approx. 360.000 knots per m²
Condition: New
Not available
Description
Mold carpets
the Moud carpets, which are among the most beautiful in the world, are in the city Mashad hand knotted in the province of Khorasan. This large weaving center is also a trading center for the carpets made in the neighboring towns and villages. You will find that the Moud rugs have some features similar to a rug made in Birjand. Although most rugs are woven in workshops around the city, one can occasionally find Moud rugs woven on a home loom. Skilled artisans use the asymmetrical Persian knot in the creation of these very special rugs as it offers more precision when knotting the intricate, detailed patterns.
Moud rugs have been known in the antique trade since the turn of the twentieth century. The patterns are floral, either as a medallion or as an all-over. The Shah Abbas palmette with leaf and tendril motifs is a popular Moud pattern. Occasionally, the traditional boteh (paisley), herati (fish), trellis, or minakhani (trellis connected with rosettes) patterns are woven for the field. The border features traditional Khorasan designs with large palmettes, leaves and tendrils.
The usual color feature of Moud rugs is pomegranate red (from cochineal) in the field, although a small percentage is dark blue instead. Additionally, there are various shades of red, blue, beige, gold, green, cinnamon, brown, and gray in the borders, pattern elements, and outlines.
The sizes of Moud Khorasan range from about one meter by one meter to large rooms. They have a cotton foundation and a wool pile. The Persian (asymmetric) knot is always used. Early knots are of secondary quality compared to the Meshad Khorasan carpets. Moud carpets were produced in large quantities for the middle class in the domestic and Western markets. After World War II, some Moud weavers departed from their traditional patterns and produced carpets similar to those of other weaving regions in Persia to meet the demand of domestic and foreign export customers.
Moud is a town south of Birdjan and Mashad with a long history of weaving. With their very distinctive design, they are easy to recognize and enjoy an excellent reputation. Moud is 300 km south of Mashhad. Your quality is high. Silk is often used to bring out the sheen of the pile. But that is not a must. 220.000 to 450.000 knots per square meter is a high number. So production takes time. You can find these rugs in red, blue, and beige shapes. These rugs are made with two weft threads.
The Herati pattern of the Moud rugs is dominant and immediately recognizable. In most cases, it occupies most of the surface. Some rugs also have a central medallion reminiscent of a star or hexagon. Many Persian carpets from Moud show motifs from Persian gardens in small rectangular borders. Such motifs are otherwise only used in Bakhtiari carpets. The bold colors come mostly from the blue and red color ranges. The colors come out even better with a contrasting ivory background. Since Moud carpets vary greatly in quality, the right choice of carpet is all the more important. Basically, a first decision about the knot density makes sense. In addition, attention must be paid to the material of the knotting: Fine carpets have a share of silk, which has been worked into the individual details and literally lets them shine in the light.
Anyone who buys a moud from our online shop will not regret it. The quality standards are always met. Silk woven into the carpets increases the shine of the moud carpets. Different variants can be found in our shop for Persian carpets. The Herati pattern is characteristic of this type of Persian carpet. Other carpets from this region of Persia include the Birdshand and the cashmar.
GUIDE TO THE CREATION AND DESCRIPTION OF THE MOOD CARPET (MOUD)
Moud is a village southeast of Birjand in eastern Persia. The Moud carpets are highly regarded and are among the most beautiful and detailed carpets produced in Persia. They are characterized by the fact that a teppich Using a cluttered pattern can make a room appear larger by giving it more depth.
Moud rugs are made from cotton with fine, soft wool hair and have quite specific patterns. Traditionally they use a sunflower medallion in the center and complex curvilinear or floral designs in the field. Moud rugs are usually medium to large in size. The colors used vary between rich blues, dark reds and browns, mostly with a contrasting ivory background. Moud rugs are among the most beautiful on the market, their quality is always high and, as a general rule, the more knots, the better.
The Moud carpets, said to be among the finest in the world, are made in the city Mashad Handwoven in the province of Khorasan. This large weaving center is also a trading center for carpets made in the surrounding towns and villages. You may notice that the Mud rugs share some similar characteristics to a rug made in Birjand. Although most are woven in workshops around the city, one can occasionally find Moud rugs woven on a domestic loom. Skilled craftsmen use the asymmetrical Persian knot in the creation of this very special rug as it offers more precision in weaving the highly detailed patterns.
Moud is a city in the South Khorasan Province in eastern Persia. The carpets from Moud are similar to the carpets woven in other cities of Khorasan such as Azghand, Birjand and Gonabad. They are traded in the western market as Khorasan carpets.
Moud carpets have been known in the antique trade since the early twentieth century. The patterns are floral and in medallion or all-over style. A popular moud pattern is Shah Abbas' palmette with leaf and tendril motifs. Sometimes the traditional boteh (cashmere), herati (fish), lattice, or minakhani (lattice connected with rosettes) styles are woven for the field. The border shows traditional patterns from Khorasan with large palmettes, leaves and vines.
The usual characteristic color of Moud rugs is the pomegranate red (from the cochineal scale insect) in the field, although a small percentage is replaced by dark blue. In addition, various shades of red, blue, beige, gold, green, cinnamon, brown, and gray appear in the borders, design elements, and outlines.
History
Moud is a city in the South Khorasan Province in eastern Persia. The carpets from Moud are similar to the carpets woven in other cities of Khorasan such as Azghand, Birjand and Gonabad. They are traded in the western market as Khorasan carpets.
Moud carpets have been known in the antique trade since the early twentieth century. The patterns are floral and in medallion or all-over style. A popular moud pattern is Shah Abbas' palmette with leaf and tendril motifs. Sometimes the traditional boteh (cashmere), herati (fish), lattice, or minakhani (lattice connected with rosettes) styles are woven for the field. The border shows traditional patterns from Khorasan with large palmettes, leaves and vines.
The usual characteristic color of Moud rugs is the pomegranate red (from the cochineal scale insect) in the field, although a small percentage is replaced by dark blue. In addition, various shades of red, blue, beige, gold, green, cinnamon, brown, and gray appear in the borders, pattern elements, and outlines.
The dimensions of the Moud Khorasan range from around 1,5 m x 1,5 m to large pieces. They have a cotton base and a wool pile. The Persian knot (asymmetrical) is still used. The early weaves are of second-rate quality compared to the Meshad Khorasan carpets. Moud carpets were produced in large quantities for middle-class consumers in the domestic and Western markets. After World War II, some moud weavers abandoned the traditional patterns and produced carpets similar to those from other weaving regions of Persia to meet the demand of domestic and foreign consumers.
Frequently asked questions
How much is a hand-knotted carpet worth?
How do you recognize a hand-knotted carpet?
A handmade (or hand-knotted) carpet is made on a specially designed loom and by hand tied. In contrast, a machine-woven carpet is made on a fully automatic weaving machine controlled by a computer.
The carpet can therefore be produced much faster than a hand-knotted carpet, which can take up to a year to produce.
Also, synthetic materials are more commonly used in machine-made carpets, while wool is predominantly used in hand-made carpets.
Below are some basic tips on how to distinguish genuine handmade rugs from machine-made rugs.
1. Fringes - On a handmade and hand-knotted rug, the fringes are an extension of the rug (warp) and are not sewn in or post-applied to the rug as is common with machine-made rugs.
2. Selvage - This is the outside long side of the rug. This is created by twisting the weft threads at the edge, which are then incorporated and fixed. The origin of a carpet can often be identified by the appearance of the edge, since the processing of the edges is also quite individual in the different weaving regions. A machine-made carpet usually has a very fine and precise edge. With a hand-knotted rug, the edges are sewn by hand and are therefore often a bit uneven and not quite straight.
3. Pattern and Design - The pattern of a machine made rug is usually very precise and the design is usually mirrored from one side to the other. There are few inconsistencies in the design of a machine-made rug as opposed to a hand-made rug.
The weaver often has no design template at all, but rather improvises and knots "from the head" - the result is a charming asymmetry.
4. Backing - One of the telltale ways to tell the difference between a machine-made rug and a hand-knotted rug is to look at the rug's backing.
The knots and weave pattern on the back of a machine carpet are almost always perfect and consistent - sometimes very prominent white threads can be seen (this is the warp thread). The majority of handmade rugs do not have their knots lined up perfectly on the backing and even if you try to calculate the knot density you will find that it is not consistent across the rug.
5. Size and Shape - The shape of a machine-made rug is usually precise and exact, while that of a handmade rug often varies simply due to the fact that everything is made by hand.
Finally, fakes abound and even for the trained eye, it can be difficult to tell the two types of carpet apart. When in doubt, or when considering purchasing a rug, always consult a reputable rug shop or retailer.
Which carpets are the most valuable?
The most expensive carpet in the world: The "Clark Sickle Leaf Carpet"
The most expensive carpet in the world is an antique Persian carpet from the 17th century. It is a Clark sickle leaf rug, which has the format of 2,67 by 1,96 meters and probably comes from the Kerman region in southeast Persia. This particular red carpet with a blue border and a gold pattern was part of the collection of the American industrialist William Clark. After his death, it was initially given to the Corcoran Gallery of Art in Washington before finally being given to him auctioned at Sotheby's in New York in 2013 for nearly $34 million wurde.
The most expensive and probably best-known in Germany: the “Kerman Vase Carpet”
The most valuable German carpet is also a Persian carpet. The slightly wavy "vase technique" carpet, which bears a pattern of colorful flowers, leaves and branches, was made in the 17th century in the province of Kerman. The carpet was in the possession of the French art lover Comtesse Martine Marie-Pol de Béhague for many years, until it ended up in the possession of an elderly lady in Augsburg. The Kerman vase carpet achieved a high level of media awareness because its Augsburg auctioneer set a low value and the carpet later 7,2 million euros at an auction at Christie's in London redeemed what ended in a lawsuit.
How Persian carpets get their value
Persian carpets come from what is now Persia, have a long tradition and are manufactured using a complex process. They have a higher knot density than other carpets and are delicately knotted by hand. Many Persian carpets have beautiful, complex patterns and tell their own story. Persian carpet art requires time, calm and experience. Valuable Persian carpets are made from natural materials such as cotton, wool or silk. Traditional manual knotting, passed down from generation to generation, requires a number of tools that have remained virtually unchanged for centuries. First, carpet weavers use a knife to cut the yarn. The pile is then compacted using a comb-like instrument. Finally, scissors are needed to trim the pile to a uniform length.
Carpet quality = high knot density
The knot density per square meter is an indicator of the complexity of a handmade rug and an indication of the quality and goodness of a Persian rug. Carpets are divided into different classes for knot density: 4La, 6La and 9La. The rule is that the denser the carpet is knotted, the lower the La value and the finer the knot and the higher the quality of the carpet. A 4La carpet has a knot density of over 1.200.000 knots per square meter. This density of knots is very rare and is a sign of a very fine carpet. Collectors and connoisseurs are mostly interested in high-quality carpets with a knot density of more than 500.000 knots.
World Heritage carpet
Persian carpets are surrounded by something very special and it becomes clear that they are unique in their design and manufacture. Almost like in a fairy tale from 1001 Nights, they have been convincing people of all cultures for many centuries. They carry the knowledge of many generations and are real collector's items. A piece of cultural history that enriches many houses and apartments with its splendor and aura.
How do you recognize an expensive carpet?
It must first be determined whether the carpet is hand-knotted or machine-knotted. There are three ways to be sure of what type of carpet it is:
A machine-knotted rug has fringes sewn on.
Turn the rug over so you have a good view of the knots at the fringed edge at the back. Pull a single fringe. Observe the knots that are in line with this fringe and connected into the carpet. Do these move when you pull the fringe? If so, that means the fringes are not sewn on and the warp thread through the rug forms the fringes.
A machine-knotted rug is flawless.
Turn the rug over and get comfortable on the back. Look for a pattern that recurs in two different places on the carpet. Compare a row of knots and look for differences. If the knots are of different sizes or if there are even errors in a color sequence, it is clear that it is a case of manual work, which always remains error-prone due to the enormous number of knots.
A machine-knotted rug has no size deviations.
Take a tape measure and measure the width in different places. A hand-knotted carpet shows clear differences in the millimeter range.
Where is the carpet from?
Since the traditionally knotting countries always guarantee a standard that promises the advantages of a real carpet, it is particularly important to pay attention to the country of origin. This must always be specified for a carpet offered for sale, as you can only directly compare carpets from the same region of origin.
However, it must be said that most re-knots are also dedicated manual work, just as elaborate patterns and often interesting pattern variations. Only the advantages of a real carpet are not always given due to the often inferior material quality and simpler knotting technique.
Real carpets come from:
Persia/Persia, Afghanistan, Türkiye, Russia
Reconnections come in particular from:
Pakistan, India (often disguised as "Indo-" before the name), China and North African countries.
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Teppichbazar.at is a brand of the company Luxonaria GmbH
1) Hand-knotted Persian carpets & Oriental carpets e carpet bazaar
2) Restoration of historical pianos and grand pianos Musism.com
3) Decorative Arts, Paintings & Original Paintings zlocal artist Luxonaria Art Gallery
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LUXONARIA GmbH
Lustkandlgasse 3/1/1-2a
1090 Vienna / Austria
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contact@luxonaria.com
www.luxonaria.com
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+436604444422
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+436604444422
+436604444477
+436604444488
Company Luxonaria GmbH is the authorized company for carpet bazaar
Company registration number: FN 474934h
Managing Director: Hassan ZANJIRANI FARAHANI, MA MA
since 1876 in the Persian carpet industry in the 5th generation
Lustkandlgasse 3/1/1-2a (corner restaurant), 1090 Vienna
CEO Luxonaria GmbH
Hassan Zanjirani Farahani (B.A. M.A. M.A.) is an Iranian-Austrian composer, multi-instrumentalist, art collector and media artist. He has been managing director of the company since 2017 Luxonaria GmbH in Vienna specializing in art restoration & trading. He studied piano, trumpet and clarinet at the Tehran Conservatory, worked as a pianist, clarinetist and trumpeter in various orchestras before moving to Vienna. He studied composition and music and media technology at the University of Music and Performing Arts Vienna and Anton Bruckner University Linz and has taken numerous academic courses in sound recording, PA, computer music, media arts, acoustics and physics, lighting design, animation and graphics. Among his most important teachers are Andrew Weixler and Carol Bauckholt. He completed all studies in composition and music and media technology with distinction. His academic activities include music production, Media art, stage performance and music pedagogy as a guest lecturer at several music universities, including the Bruckner University and the University of Music and Performing Arts Vienna, as well as at festivals such as the Ars Electronica Festival. As a performer and improviser, Hassan Zanjirani Farahani focuses on electroacoustic music, synthesizer and piano music. He performed at numerous international festivals among others ORF Music Protocol Graz (Austria), Mantova Chamber Music Festival (Italy), Ars Electronica Festival (Linz), Wien Modern (Vienna) on. He is also an improviser, performing at many festivals and venues such as Vienna Konzerthaus (Vienna), Vienna State Opera, Vienna Volksoper, Raimund Theater (Vienna), Ars Electronica Center, Helmut List Halle (Graz), Porgy & Bess (Vienna), Bruckner House (Linz) etc. played. His compositions are stylistically diverse. Most are pieces for piano, ensemble and live electronics. He has also written pieces for film, theatre, dance performance and music theatre. He deals with stage lighting, architectural lighting, projection, graphics, animation and visualization. In addition, he has already developed architectural installations worldwide, especially in Austria, Germany, the Emirates, Turkey, Iran etc. His professional field also includes educational activities such as university lectures and courses in composition, electronic music, digital audio workstation (DAW), sound synthesis, Light design, visualization and media art, etc. In addition to his musical activities, he works as a sound engineer, sound and light designer, music producer, graphic designer and VFX artist.
Additional Information
"Cleaned"
Adult
Oriental
teppich
rectangle
Wool
persisch
Iran
carpet bazaar
study
knotted
White / beige
Iran
1970-1979
Oriental
hand knotted
Smaller than 200×135cm
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